"MAKBET Remix " *obok zdjęcia Tomasza Zerka * Produkcja na zamówienie Theatru Gedanense, spektakl inspirowany sztuką "Macbeth"  Williama Shakespeara w ramach festiwalu Szekspirowskiego 2010, wyreżserowany przez Roberta Florczaka i odegrana przez zespół Sfinks und Bzdulow. Najmocniejszą stroną spektaklu jest jego wartość estetyczna. W produkcję zaangażowano bezmała tylu plastyków, co tancerzy, co sprawiło że powstało dzieło bogate  plastycznie, rosłe wizualnie.  

Costumes and set design Julia Porańska is characterized by simplicity and sophistication. Her creations are made in the moments of elation. Julia likes atypical materials, for instance bubble film as well as artificial leather and polyester bags. Her costumes are tailor made and often created directly on a model. If her creations can be characterized with single key words, they would be: Form in geometrical sense, Detail as a context…

PATRZ MI NA USTAPatrz Mi Na Usta theatre was established in 1995, by Krzysztof "Leon" Dziemaszkiewicz, a dancer and choreographer. In the years 1997-2002 the group operated in Berlin, where “Radio Meteaphisick” performance(1999) and “National Drag Queen” are created. The latter performance is transferred to Tricity. Since 2002 the theatre has been connected with Sopot. It is being co-created by artists, Leon's friends: Bożena Eltermann , a dancer ( Cynada…

Bzdyl’s INTERVIEWSYou and Katarzyna Chmielewska make up the permanent core of the team, but a number of artists from all over Poland have performed under the Dada label. What determines this form of cooperation with artists?  Leszek Bzdyl: I’ve always wanted to work with free people. I appreciate the fact that artists we have cooperated with for a shorter or longer period of time at some moment become independent artists and establish new places of artistic creation. This way dance can develop as new islands of this art form arise. A.M.
Dada Theatre is undergoing a steady evolution process and yet it has preserved a clear and consistent character. How is the team’s development stimulated? How are the themes that you elaborate on born? L.B.
In Dada’s performances, people who create them have always been the most important. We have touched on…